My taste in music run far and wide. If I was a black man, I would sing the Blues, but I’m not, so all I can do is play them on my Lowden guitars.

Ever since I was a kid, I’ve listened to Reverend Gary Davis, Sonny Terry and Brownie McGhee, Elizabeth Cotton, and the songs which have strangely brought me to Washington DC, where a lot of blues people played = along with Duke Ellington!

I learned that Washington , a rather bleak “village” when I arrived from London in 1969, was a center for the Piedmont Blues, and a long time later, I connected with a wonderful man who today, epitomizes this style:
John Cephas. He plays with a Harminica sidekick Phil Wiggins. But taking lessons with John (in return for teaching him how to use his Mac), refired my love for this incredible music.

Here are a couple of songs from Reverend Gary Davis:”
Candy Man Blues” and “I heard the Angels Singing”, and here is a song from Sonny Terry and Brownie MgGhee - Keys to the Highway. Sonny played by himself after Brownie passed away, and here he is with “Hootin’ The Blues”. Another of my favorites is Skip James and here he is with “Crow Jane”. Finally, there is a song from Jesse Fuller - famous for writing San Francisco Bay Blues. This song is Linin’ Track. If you like them, these and other videos can be purchased from Stefan Grossman’s site to whom I’m very grateful for giving me permission to use this material.

The reason for sharing these videos, is that I give NASA presentations in DC schools - trying to convince kids to stay in school and that there are exciting possibilities for them in a large (sorry - Eclectic) planet. I want to leave the kids with a link to this site. My feeling is that if more young people got involved in these music roots, they may feel more connected to a positive side to their heritage.

When I came here in 1969, I’d been working in the computer industry for 5 years, at that time, a rare feat for a 21 year old! I flew here to meet Harry Hayman, who told me he was a programmer - like me - but at NASA!!! The scientists and Engineers at NASA and these musicians are my heroes, (as well as the Beatles and the Stones), but on the day I arrived, I found Sonny and Brownie, along with Elizabeth Cotton singing on the Mall. Ms. Cotton - playing here - appropriately
Washington Blues, was famous for writing Freight Train while working as a housekeeper! Notice how she plays left handed. Unlike Paul McCartney, she just turned the guitar upside down and learned to play chords upside down! See, there are different ways to learn!!

Anyway, I had arrived during the height of the second American Folk Life Festival.

Wow.

A free concert with some of my music idols only 10 feet away. I later met Harry, who turned out to be the Chief Programmer for the part of the Apollo program that was the lift off from the moon to the rendezvous with the orbiting command module, but that’s another story. (see
space section).

At the other end of the spectrum, I love to make electronic music. Ever since I heard
Kraftwerk in the late 70s, and local Washington Bands (Urban Verbs and Tiny Desk Unit around the same time, and being a geek, I wanted to learn how to make my own computer-based music. Today, I use Apple’s Logic and Melodyne, as well as Bias stuff. I’m not good enough yet to plop a song on the site, but one day..

Finally, I love music from around the world. Check out the
Putumayo offerings.

Many countries have their own versions of the Blues, or current music that is a credit to their culture. Greece, where I spend a lot of time, has Rembetika, which was born out of forced migrations of Turks and Greeks based on religion back in 1922. Here is a great example of a Rembetis (a Rembetika player) Marcos Mamvakaris playing
Φραγκοσυριανή . Don’t ask, my Greek is pretty basic. Rembetika songs are wistful, but often amusing, telling stories of wine (Retsina), women and hashish. It was banned several times by the authorities or occupying forces, but is now enjoying a resurgence. Here is an example.

In the lands of the far east, there is a ton of music that we never get to here, for example Balinese and Javan. In Northern Asia, there is Tuvan folk music, and you have to listen to the music of Hun Huun Tu.

On the next
page, there are links to purchase some of the items played or mentioned above.